Via TFL
Via TFL
Ideas from the sketchbook.
Explained at bottom of page.
#458 TFL Vol.40 Down to Earth
#456 TFL Vol.39 HERE NOW
#455 TFL VOL.38 PESSEMIST
#453 TFL Vol.37 FIT PIC NO.6
#452 TFL Vol.36 FIT PIC NO.5
#451 TFL Vol.35 FIT PIC NO.4
#450 TFL Vol.34 FIT PIC NO.3
#449 TFL Vol.33 FIT PIC NO.2
#448 TFL Vol.32 FIT PIC NO.1
#443 TFL Vol.31 Blue Vignette 3
#442 TFL Vol.31 Blue Vignette 2
#441 TFL Vol.31 Blue Vignette 1
#414 TFL Vol.30 Purple Portrait
#390 TFL Vol.29 Case Study
#377 TFL Vol.28 Called Game
#376 Vol.27 DON'T JUMP
#375 Vol.26 Off the Switch
#372 Vol.25 Portrait, Stripes
#303 Vol.24 Pressure
#302 Vol.23 FOR FUCKS SAKE DON'T LOOK DOWN
#301 Vol.22 Look at this muthafucka
#293 Vol.21 Orange Exuberance
#292 Vol.20 Revel Berry
#291 Vol.19 Lemon Elation
#290 Vol.18 Bluephoria
#289 Vol.17 Enlightenmint
#258 Vol.16 Hot Seat
#257 Vol.15 Slumped pt3
#256 Vol.14 Slumped pt2
#244 Vol.13 Casual 9/9
#243 Vol.13 Casual 8/9
#242 Vol.13 Casual 7/9
#241 Vol.13 Casual 6/9
#240 Vol.13 Casual 5/9
#239 Vol.13 Casual 4/9
#238 Vol.13 Casual 3/9
#237 Vol.13 Casual 2/9
#236 Vol.13 Casual 1/9
#233 Vo.12 Scarves
#232 Vol.11 Syrup
#225 Vol.10 Sunbehindmyeyes
#224 Vol.9 Make Room
#220 Vol.8 Skittles
#218 Vol.7 Sarycuse
#216 Vol.6 Bans
#178 Vol.5 StussyBeanie
#167 Vol.4 Slumped pt1
#164 Vol.3 Watcha Up To
#155 Vol.2 Smurfn
#152 Vol.1 Bloom
Explained
This is The Fucking Lab, a sketchbook hub of ideas. Approaching the end of my second year mastering my digital-surrealist-collage style, with the process of searching through old photos to collage, I wanted to shift my practice. I felt like I wasn’t 100% involved in the process, as a big part of my finished product relied on whatever random photos I found. So, I decided to apply my vintage-feeling surrealist style to a different creative process. I picked up an old sketchbook I had laying around for while, and promptly decided this is where I would begin my new era. For me, it’s very easy to take a sketchbook too seriously. I think too much about filling the page, or making everything cohesive and professional-feeling. So, I promised myself I wouldn’t hold myself to any intensive organizational or creative boundaries, and just sketch an idea that comes to me in whatever detail and format I wanted to
This birthed a new way of thinking about my art for me, as well as filling a hole in my relationship to what I created. Now, in this TFL series, everything in the final product was a full manifestation of my own imagination from start to finish. It was a pleasing break from the randomness of collaging that I had, and still very much do, enjoy. The process of sketching out everything I made also felt very refreshing to my process, and made me think about what I was going to make in a more patient, planned manner. An important aspect of this whole thing is I didn’t pressure myself to stick with it 100%. I still very actively continued my previous process and workings right along side this growing TFL series. I think all of these pieces represent that lack of pressure, as all of the ideas you see are through a very loose and calm creative process. In general, this was my first big step to making myself change my process, and it felt great.
I feel like showing the original sketches alongside the finished products would be cool, but also maybe too detailed of a behind the scenes? Either way, here’s a few pictures of the sort of sketches I make for TFL and what the planning look like.
Vol. 15
Vol. 10
Vol. 23
Vol. 12
Vol. 7
Vol. 11